So I was sitting in the little food area at Costco and idly watching some of the cashiers, etc.
I noticed this one slender guy with a spring in his step that still seemed to be leaning on everything. Perhaps you've seen similar: closely cropped hair, polo shirt with collar popped, cartilage and lobe piercings. That sort of thing.
But still leaning on surfaces yet not looking totally goofy in the process.
Which reminded me what my mother was telling me about leaning the sound on something. When people stand unsupported, they start wobbling about, even if it's very minor. If they have something to lean on, it'll all be in one direction.
It's a useful visual image, actually -- really interesting in terms of vocalise practices in an attempt to smooth things out and present a more uniform sound. Speaking of, I've been taking a melisma from 'Der teurer' of Bach's SJP. Feels really good and I like that it doesn't start at the bottom and go up but rather starts in the middle, goes down, and then up, then down (so I can ease into the idea of preparing the space for the higher stuff at the beginning). Also, the high stuff comes later so it's a really nice breath control reminder -- and is honing efficiency on higher passages.
But, what this post really is about: parts of the William Klein film of the Messiah conducted by Minkowski.
I might have mentioned in passing once or twice that I'd like to bear Minkowski's children. And I'd also love to be involved in some crazy film project like this.